Contrast Conversations with Stephen Coles

Today we present another episode of Contrast Conversations. Thanks to speaker Stephen Coles for taking the time to answer some questions for TYPO Talks!

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Stephen is a writer and typographer living in Oakland and Berlin. After six years at FontShop San Francisco as a creative director, he now publishes Fonts In UseTypographica, and The Mid-Century Modernistand consults with various organizations on type selection. Stephen is author of the book The Anatomy of Type and a regular contributor to Print magazine. He is also a Type Camp instructor, a member of the FontFont TypeBoard, and a judge for the 2012 TDC Typeface Design Competition.

TYPO Talks: What inspires you?
Stephen Coles: Things made with human hands — books, furniture, signs. This is mostly because I have no innate ability with my own hands. I took a neon bending course here in the Bay Area with Shawna Peterson and as I stumbled through the simplest of curves it gave me new respect and appreciation for sign making. I used to enjoy old liquor store signs on a purely surface level; now I can appreciate the effort that went into forming the corner of each letter and the glass fusing that binds them together.

Stephen Coles

Stephen Coles

Writer, Typographer (Oakland, California)

Stephen Coles is an editor and typographer living in Oakland and Berlin. He publishes Fonts In Use and Typographica, consults with type foundries on editorial content and with various organizations on typeface selection and licensing. Stephen is author of the book The Anatomy of Type (The Geometry of Type in the UK), and serves on the board of the Letterform Archive. He was formerly a creative director at FontShop and a member of the FontFont TypeBoard.

TT:  The theme of this year’s TYPO is Contrast. Can you give us an example of projects in your portfolio that contrast with one another? Or a project that contrasts with itself?
SC: Two fields that are usually thought of as interchangeable rather than contrasting: lettering vs. type.

Chromeography is a photo collection all about physical, analog lettering: three-dimensional letters made specifically for each logo mark.
Typographica reviews are all about digital typeletters made to work together in systematic way using fonts.

It seems that I am more and more often correcting people about the difference between those two terms. They are related crafts, of course, but entirely separate disciplines. Yes, most folks don’t care about the distinction, but the TYPO crowd does! Right? (If not, meet me in Yerba Buena park after the talks for fisticuffs.)

TT:  What other speakers at TYPO San Francisco are you most looking forward to?
SC: Matthew Butterick for the butt-kicking, Marian Bantjes for the work, Peter Bil’ak for the type, Christoph Niemann for the chuckles, Faythe Levine (see sign love above), Ludovic Balland because he made (this weird thing http://typographica.org/typeface-reviews/stanley/) and I’d love to know why. And always Erik Spiekermann, man of a million rapidly delivered stories and insights, some I’ve heard more than once, but they never sound the same and I always learn something new.

TT: What is your favorite thing to do in San Francisco?
SC: Take visitors up the (free!) De Young tower for a stellar overview of the city, then around to the (free!) sculpture garden in the back to sit and meditate in the hidden James Turrell installation. It’s one of my favorite pieces of art, but most people miss it because it’s hidden in a hill behind the museum.

TT: What are currently your favorite interesting/beautiful publications, books, movies and/or links?
SC: They are peppered throughout my answers above, but here’s one I just posted today: my favorite spread from the 1923 ATF type specimen book.

TT: What does “contrast” mean to you?
SC: Contrast is thicker thicks and thinner thins.

Get your ticket to see Stephen and all of our other excellent facilitators and speakers here.