Contrast Conversations with Nigel French
Today we present another episode of Contrast Conversations. Thanks to speaker Nigel French for taking the time to answer some questions for TYPO Talks!
Today we present another episode of Contrast Conversations. Thanks to speaker Nigel French for taking the time to answer some questions for TYPO Talks!
Seit Ken Garland in den frühen 60er Jahren die britische Anti-Atomwaffen Bewegung mit einer visuellen Botschaft ausgestattet hat, bewegen sein Design und seine Forderungen an Design von England aus die Welt.
Today we present another episode of Contrast Conversations. Thanks to speaker Meena Kadri for taking the time to answer some questions for TYPO Talks!
Als Dozentin an der »Danish School of Media and Journalism« in Kopenhagen begibt sich Julie Katrine Andersen jeden Tag aufs Neue auf die Suche nach Lösungen akademischer Kreativprobleme.
Tricia Treacy und Ashley John Pigford machten sich im vergangenen Herbst an die gemeinschaftiche Erforschung des Wechselspiels zwischen ehrwürdig-archaischer und experimentell-intelligenter Technik. Ihre Bemühungen galten der Entwicklung einer Form der typografischen Gestaltung, die beide – den traditionellen und den modernen Produktionsprozess tief in der Schriftform verwurzelt. Ashley brachte seine Erfahrung in der digitalen Produktion im interaktiven Design und im Buchdruck ein. Tricia griff auf ihre Erfahrungen mit digitalen Medien, Grafik und Buchdruck zurück. So entstand das Vista Sans Wood Type Projekt.
Today we present another episode of Contrast Conversations. Thanks to speaker Travis Kochel for taking the time to answer some questions for TYPO Talks!
Das Internet prägte ihre Definition von Business. Im Mittelpunkt: Kunst + Musik + Grrrl. Kate Moross liebt es ein Kind der MySpace-Generation sein.
Nick Shinn, R.G.D. was born in London, England in 1952, educated at Bedford, and acquired a Dip.AD in Fine Art (1974) from Leeds Polytechnic. He lived in Toronto, Canada from 1976 to 2009, then moved 60 km north to Orangeville. In the ’80s he worked as an advertising art director and creative director, before going digital in 1989 with the ShinnDesign studio, specializing in publication and marketing design. From 1980 he designed typefaces for several foundries, before founding Shinntype in 1998. He has written for Applied Arts, Druk, Eye, Graphic Exchange, Marketing, Typographic and Codex, spoken at the ATypI, TypeCon, Graphika and TYPO Berlin conferences, and taught at Humber College and York University in Toronto.
Armin is a graphic designer and writer. He is the co-founder of UnderConsideration, a graphic design enterprise in Austin, TX, that runs a network of blogs, publishes books, organizes live events and judged competitions, and designs for clients.
What better way to Contrast the 2012 conference than to flip the closing session on its head? We’re excited to announce that in April 2013, Mike Monteiro will take the reigns as a main stage facilitator and Erik Spiekermann will close out the conference on April 12.
Rick Banks a freelance designer typographer, aged 26. The question he raised was pretty straightforward: how did I build my social network?
Rian Hughes is a man of many sides. Comic book artist of 2000AD fame, accomplished illustrator, graphic designer, type designer, “prolific rummager” and most recently author of a book entitled “Cult-ure: Ideas Can Be Dangerous”. Hughes’ talk today at TYPO focused on the later, offering a thought-provoking 45 minutes on the concept of culture, and how (for better or worse) it shapes our perception of the world.