Michael Bierut

Bierut in London

There’s a moment in planning a conference when the team get together and brainstorm on the location, the dates, the theme and who would be a good speakers. Early on the process Michael Bierut’s name came up and everyone agreed that it would be great to ask him to speak. Then the plans for the conference came together and Michael’s name was always attached to the idea of TYPO London 2011 “Places”. Eventually the invites to speakers went out and it occurred to me that there was a possibility Michael could decline the invitation.

Erik Spiekermann

Looking for Erik

Erik Spiekermann is a regular performer on the TYPO stage and the TYPO team is delighted to announce that Erik will head up our team of Conference moderators at TYPO London 2011 “Places”.

 

Jost Hochuli

Jost Hochuli: Abschlussredner der TYPO 2011

Jost Hochuli studierte an der Kunstgewerbeschule St. Gallen, arbeitete er als Setzer bei der Druckerei Zollikofer und schloss 1959 seine Abbildung in Adrian Frutigers Klasse an der Pariser Ecole Estienne ab. Seitdem arbeitet Hochuli als freischaffender Designer und Typograf, spezialisiert auf Buchgestaltung. Im Jahr 1979 war er Mitbegründer der VGS Verlagsgemeinschaft St. Gallen. Seit 1967 lehrt Hochuli an Schulen in Zürich und St. Gallen. Er war Herausgeber der jährlich erscheinenden »Typotron«-Broschürenserie (1983 – 1998) und der Edition »Ostschweiz« (seit 2000).

Daniel Gjøde

The Daily Eckardt: Daniel Gjøde

Daniel Gjøde: DJ and founder of Denmark’s largest community for electronic music, Motion Graphics designer at TV 2 Denmark, founder and creative director at Stupid Studio, guest lecturer at Danish Design Schools, Member of the advisory board at The Danish School of Media and Journalism.

Hartmut Bohnacker

The Daily Eckardt: Erik Kessels

Erik Kessels was born 1966 in Roermond, Netherlands and is the Creative Director and co-founder of the Amsterdam advertising agency KesselsKramer, where he is in charge of such international accounts as Diesel, Oxfam or Ben. Following the principle that any medium, as long as it is relevant to an idea, is a potential for communication for a brand and its products or services, KesselsKramer’s portfolio ranges from ‘classical’ advertising to publishing and documentary film.

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