TYPO_MarianBantjes

TYPO speeches that moved us: Marian Bantjes – Imagining myself

“I spend a lot of time trying to figure out who I am, what I am about, where I came from and where I am headed. Looking at my own work, I engage in self analysis as I follow the threads of influence, to discover what is worthwhile, what is sustainably interesting, and how to evolve into my imagined future.” Marian Bantjes at TYPO Berlin 2008.

Have you found your creative place yet? Stop searching and register for TYPO London!

Marian Bantjes

Marian Bantjes

Marian Bantjes has been variously described as a typographer, designer, artist, and writer. She works from her base on a small island off the west coast of Canada, and her personal, obsessive, and sometimes strange graphic work has brought her international recognition. Following her interests in complexity and structure, Marian is known for her custom typography, detailed and lovingly precise vector art, obsessive hand work, and patterning and ornament.
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TYPO London speakers: Karin von Ompteda

Karin von Ompteda explores type – and she is an expert on designing typefaces for the visually impaired. Karin is currently researching for a PhD at the Royal College of Art in London, where her work is focused on integrating scientific and design approaches to typeface legibility. When she changed to art school after two biology degrees in her home country of Canada, she followed her heart. However her approach to type, its shapes and structures has roots in her biological background.

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TYPO London 2011 speakers: Marina Willer

Marina Willer is an expert in placing new brands or creating new identities in challenging markets and has masterminded international branding campaigns for a decade. She is a Brazilian graphic designer, creative director and movie director living in London. Working for Wolff Olins, she became notable as a brand consultant and creative director. Her distinguished works include the branding campaigns for Beeline telecommunications in Russia, Oi telecommunications in Brazil, the Southbank Centre and Tate Gallery in London and Amnesty International worldwide.

Carlos Segura

TYPO speeches that moved us: Carlos Segura – (My) Type of Life

Segura Inc. and T26 have received numerous awards, including one from the Tokyo Type Directors Club, The Society of Typographic Arts, the New York Art Directors Club, the New York Type Directors Club, and the American Center for Design. In 2004, Carlos Segura was named one of the 21st Century’s 100 best designers and was honoured with Europe’s Red Dot Award.

In his speech at TYPO Berlin 2010, Carlos talked about his personal journey – his disco band and setting a course for his life in the creative business doing what he enjoyed and wanted to do, while being successful: “Being the drummer, driving the truck and designing the flyer.”

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Carlos Segura

Carlos Segura came to the United States from Cuba at the age of nine. He worked for many prestigious ad agencies, including BBDO, Young & Rubicam, and DDB Needham. In 1991 he founded Segura Inc., Chicago, to pursue design more creatively with the goal of blending as much “fine art” into “commercial art” as he could. In 1994, the T26 Digital Type Foundry was born to explore the typographical side of the business. In 2001, Segura again ventured into new territory by starting 5inch, and in 2004, launched CarType with further expansions of the typographical segment with BikeType, MotoType and TruckType. Segura Inc. and T26 have received numerous awards, including from the Tokyo Type Directors Club, The Society of Typographic Arts, the New York Art Directors Club, the New York Type Directors Club, and the American Center for Design. In 2004, Carlos Segura was named one of the 21st Century’s 100 best designers and was honoured with Europe’s Red Dot Award. His work has appeared in many journals and publications, and in exhibits from the Denver Art Museum to Tokyo Japan.

Can we adopt his formula to our lives in the Europe of today? Come to TYPO London “Places” 2011 and find out!

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TYPO London 2011 speakers: Joachim Sauter

Joachim Sauter co-founded  Art+Com in the mid eighties in Berlin. The company evolved from an interdisciplinary group of designers, architects and artists from the Berlin University of the Arts as well as hackers from the ChaosComputerClub. The group used the upcoming digital technology not only as a tool, but potential (mass) medium. Founded as an non-profit organisation to explore the new medium’s possibilities for art, design, science and technology, Art+Com did not commence commercial projects not before the mid 1990s.

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TYPO speeches that moved us: Jonathan Barnbrook – Type is image

The only time a TYPO speech began with “Hello you motherfuckers! You bunch of wankers! You ‘ve got small penises and fat arses!” was at TYPO 2008, “Image”

Thus having tested how polite the translaters were, Barnbrook  guided us through the pulsating universe of his type designs, his faces ranging from Apocalypso to Tourette, altogether 109 specimen. He stressed that although his fonts tend to display abstract letter shapes, they are highly representational of our social and political surroundings. We learned that calling a font after a serial killer can be bad for one’s image and why it is that drawing typefaces is crucial to characterize the epoch in which one lives.

Jonathan Barnbrook

Jonathan Barnbrook

Graphic Designer (London)

Jonathan Barnbrook is one of the most well-known graphic designers in Britain. Since 1990 he has chosen to work with a mixture of cultural institutions, activist groups and charities as well as completing a steady stream of personal posters. He is also know for his collaborations with Adbusters, Damien Hirst, his work for David Bowie and his ubiquitous fonts designs released through Emigre and his company Virusfonts. His contribution to graphic design was recognised by a major exhibition at the Design Museum, London in 2007.

Do we need agitated fonts in unstable times? Attend TYPO London 2011 and find out!

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TYPO London 2011 speakers: Tom Uglow

Tom Uglow leads Google’s Creative Lab in Europe. In his projects Uglow explores the endless opportunities that digital space provides for new ideas and at the same time always keeps focused on  his marketing targets. Uglows interests range from Python coding to knitting.

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Four questions for… Julian Zimmermann

Following a longstanding request by TYPO regulars to see a client and their designer on stage together talking about a joint project, German student Julian Zimmermann and African King Cephas Bansah were invited to TYPO Berlin in 2010 to present their cooperation. And what a memorable session it turned out to be! The extremely professional keynote, combined with the natural charm of the two speakers, literally brought many delegates to tears and garnered spontaneous standing ovations.

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TYPO speeches that moved us: Chip Kidd – Closely guarded secret (2006)

Chip Kidd presents his very special view on superheroes, why giving a title to a lecture is as superfluous as naming one’s toes and why one should live every day of our life as if one was infected with a contagious disease “that turns everyone one bites, into a zombie”. Will the title of Chip’s speech at TYPO London 2011 be another closely guarded secret? We are not in the know …

Chip Kidd

Chip Kidd

Writer / Graphic Designer (New York, New York)

The history of book design can be split into two eras: before graphic designer Chip Kidd and after. Time Out New York, Nov. 2005 Chip Kidd is a writer and graphic designer in New York City. His book jacket designs for Alfred A. Knopf (where he has worked since 1986) have helped spawn a revolution in the art of American book packaging. In 1997 he received the International Center of Photography's award for Use of Photography in Graphic Design, and he is a regular contributor of visual commentary to the Op-ed page of the New York Times. In the fall of 2006, Kidd's work will be included in the Cooper-Hewitt Museum's third National Design Triennial. Mr Kidd has also written about graphic design and popular culture for McSeeney's, The New York Times, The New York Observer, Entertainment Weekly, Details, The New York Post, ID and Print. His first book as author and designer, Batman Collected (Bulfinch, 1996), was given the Design Distinction award from ID magazine, and his second, Batman Animated (HarperCollins, Fall 1998) garnered two of the Comics Industry's Eisner Awards, as did his 2002 book Peanuts: The Art of Charles M. Schulz. As an editor of books of comics for Pantheon (a subsidiary of Knopf) Kidd has worked extensively with some of the most brilliant talents practicing today, including: Chris Ware, Art Spiegelman, Dan Clowes, Kim Deitch, Charles Burns, Mark Beyer, Ben Katchor and Alex Ross. A comprehensive monograph of Kidd's work, CHIP KIDD: BOOK ONE was published in October of 2005. The introduction is by John Updike and the 400 page book features over 800 works, spanning two decades, from 1986 through 2006. It's first edition sold out a week before publication and it has since gone into two consecutive re-printings. The Cheese Monkeys, Kidd's first novel, was published by Scribner in Fall of 2001 and was a national bestseller, as well as a New York Times Notable Book of the Year. He is currently at work on his second novel, tentatively titled The Learners. Both books use the design process as a means to construct a compelling narrative.
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