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A (Bald) Condensed View on Day One of TYPO London “Places”

My first day at TYPO London was quite an experience. Entering the lobby at Logan Hall felt like stepping back in time a few months. The professional and efficient welcome and wonderful organisation amounted to the great atmosphere the sister conference TYPO Berlin is so famous for. Seeing all the familiar faces made it feel as a deja vu, but a fresh and exciting one. Nonetheless it immediately struck me that this London edition has its own distinct identity, its own quirky personality.

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Michael Bierut: A Journey to Ten Locations and Ten Projects

Michael Bierut began his talk in a similar way to how Tony Brooks ended his: innocent and humorous. He started his presentation in Ohio Cleveland, where he grew up. Some early pictures of family and sketches in his school books lead to some first drawings of words and – essentially – his start into typography and graphic design. Encounters with publications such as Armin Hofmann’s Graphic Design Manual and Milton Glaser’s Graphic Design inspired Bierut to continue a career and life in graphic design.

Kutlu Çanlıoğlu

Kutlu Çanlıoğlu and Titus Nemeth: The raster tragedy

The development of a typographic accent for the BBC World Service – judging by the account of Kutlu Canlioglu and Titus Nemeth – was always going to be a challenging, and in some respects thankless one. But in the process of trying to reconcile 27 tongues and 9 languages, they came across, stumbled through and ultimately succeeded in resolving some fairly major challenges.

Nat Hunter

Nat Hunter: Telling the Right Story

Still sitting there with my 3D glasses listening to Lynda and Dale discussing the prospect of eye implants in the near future – I am somewhat relieved when Nat Hunter goes back to basics ‘Story Telling’. Nat Hunter from Airside is also the only female speaker for today.

Dale Herigstad

Dale Herigstad: When the rectangle is gone

There is a rectangle, possibly dictated by the printing press, that has defined the place where much of the information mankind has consumed has existed. And it is the confinement of this rectangle that has been at the heart of Dale Herigstad’s work. Or rather, his work explores what is beyond the confines – or what might, could and should be outside, in front of and behind of the rectangle.

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