Making fonts for the Universal Shaping Engine

The Universal Shaping Engine (USE) is a new model for OpenType complex script handling. This presentation explains what USE is, and the reasons for its existence. Although representing the latest advance in OpenType for complex writing systems, USE is also a return to the initial concept of OpenType Layout, in which the font developer is given significant freedom and responsibility for how to implement a script. Using examples from recent projects for Microsoft, John Hudson illustrates the kinds of things that are possible with the USE model.

Paper: Universal_Shaping_Engine_TYPOLabs

typo14-tag1_YANONE_©SebastianWeiß-530x794

Yanone: Antithesis

Der finale Sprecher des ersten TYPO-Tages 2014 – Jan Gerner als Yanone – gab dem Publikum einen sehr persönlichen Einblick in seine Welt der experimentellen Typografie und des treibenden Goas. Als der gebürtige Dresdner 2000 nichtsahnend durch die weiße Gasse läuft und ihm die originellen, kontrastreich gesetzten Neonreklamebuchstaben „Wild Geflügel“ ins Auge stechen, hätte er wohl nicht daran geglaubt, dass diese die gestalterische Grundlage seines sogenannten Masterpieces bilden würden – seine Abschlussarbeit 2014 an der Type & Media in Den Haag.

Peter Gregson © Atherton Chiellino 2011

Peter Gregson

Peter Gregson is a cellist and composer. He recently developed and was commissioned to compose ‘The Listening Machine‘ in collaboration with Daniel Jones and Britten Sinfonia for the BBC/Arts Council’s “The Space”. Based on the activity of 500 Twitter users around the United Kingdom the Listening Machine is an automated system that generates a continuous piece of music. Their conversations, thoughts and feelings are translated into musical patterns in real time, which you can tune in to at any point through any web-connected device. It runs continuously till November 2012 and it will continue to develop and grow over time, adjusting its responses to social patterns and generating subtly new musical output.

Peter is known for his passion for contemporary music. He premiered works by composers including Tod Machover, Daníel Bjarnason, Joby Talbot, Gabriel Prokofiev, Max Richter, Jóhann Jóhannsson, Steve Reich, Martin Suckling, Milton Mermikides, Howard Goodall, John Metcalfe, Scott Walker, and Sally Beamish and he collaborates with many of the world’s leading technologists, including Microsoft Labs, UnitedVisualArtists, Reactify and the MIT Media Lab.

Peter‘s Performance highlights for 2012/13 include The Royal Festival Hall, La Gaite Lyrique, SXSW, Aldeburgh and tours of the United States, as well as conference appearances including ‘Thinking Digital’, ‘Shift Happens’ and ‘FutureEverything’. Throughout 2012, Peter is the Artistic Advisor to the Innovation Forum at the New England Conservatory, Boston.

At TYPO London he leads “Social” beyond the barrier of visibility.

Jason Edward Lewis

Post PostScript please!

Jason Edward Lewis is a poet and a programmer, he actually loves programming as much as a poet loves writing. Instead of dropping one passion to focus on the other, Jason combined both by exploring new ways of creating and reading digital texts. He directs research and creation projects at Obx Laboratory for Experimental Media in Montreal.

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