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Neville Brody: Education and Experimentation

Friday closed with words from a design anarchist, Neville Brody. Few designers have divided opinion like Brody, but then fewer can claim his status, widely regarded as one of Britains most influential graphic designers. He walked the audience through numerous projects, both commercial and personal, but spent most time reminiscing about Fuse, the publication he founded in 1991, and 20 years later he is about to publish it’s 20th (and final) edition.

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Gary Hustwitt: We built this City

Gary Hustwitt loves Graphic Designer. So much so that he decided to make a film about it. Despite never picking up a camera before ‘Helvetica’ marked his directorial debut, and his fascination with typography was brought to life. 4 years and another film, ‘Objectified’ later, Hustwitt treated the TYPO Audience to a sneak peak of his new offering, ‘Urbanized’, and they weren’t disappointed. As with his previous offerings the succinct title nods towards the subject matter, cities and buildings, though instead of form it focusses on the people that live within cities, and the strong sense of community spirit that takes shape in many forms.

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A (Bald) Condensed View on Day One of TYPO London “Places”

My first day at TYPO London was quite an experience. Entering the lobby at Logan Hall felt like stepping back in time a few months. The professional and efficient welcome and wonderful organisation amounted to the great atmosphere the sister conference TYPO Berlin is so famous for. Seeing all the familiar faces made it feel as a deja vu, but a fresh and exciting one. Nonetheless it immediately struck me that this London edition has its own distinct identity, its own quirky personality.

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TYPO London : Speakers : Morag Myerscough

Places are an affair of the heart for London based Morag Myerscough. Over the last decade she has become known as a passionate designer of public space. Starting from exhibition design she went on to injecting colour, pattern and big type into schools, health – or art centres. Morag adds a graphic sense that welcomes visitors and provides orientation and a sense of place. “We sort of infiltrated the architecture scene.” Morag remarks in a recent video interview with Eye magazine and “I want to work for people who are brave and want to try out new things”.

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