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Jean François Porchez: Das Über­setzungs­problem

Im Alltag sind wir permanent von Schrift umgeben. Trotzdem sehen die meisten Menschen die Schriften gar nicht. Wie Jean François Porchez das scheinbar Unsichtbare greifbar macht, erklärt er unter anderem anhand seiner Schriftfamilien für die Métro Paris, Nespresso und Louis Vuitton.

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61st TDC Show in Berlin

At the end of January, two juries from the type directors club in New York singled out the year’s best typography work for the 61st time. The prizes are given for typographic design – new fonts – as well as for their application, whether in books, posters, packaging, corporate design or in digital form. The work of the TDC competition winners will be seen in Europe for the first time in a three-week exhibition starting May 24, 2015, at Berlin’s Aufbau Haus artists’ complex.

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Thomas Phinney: Font Detective 2: Extra Bold

Thomas Phinney is the Sherlock Holmes of the design world. His use of logic, extensive typography knowledge, history of ancient typographical machines and their uses are no match for any expert forger. Not even the government. Thomas Phinney talks about his three favorite font detective cases; the California frontier mailbag, a fake rabbi, and falsified memos from the Bush Administration’s National Guard Service.

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