Talks at TYPO Berlin 2017

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Aoi Yamaguchi

Japanese Calligrapher (San Francisco)

Born and raised in Hokkaido, Japan, Aoi Yamaguchi has been trained to master calligraphy learning under Master Zuiho Sato from the age of 6,  She is a recipient of numerous awards and supreme prizes at competitive public exhibitions.  She also uniquely transforms Japanese calligraphy into physical artistic expression through conceptual performance. She has performed with contemporary dancers, models, and traditional and contemporary musicians all over the world.

Currently residing in Berkeley, California, Yamaguchi continues her work on her conceptual calligraphy installations, exhibitions, and performances as she continues to push the boundaries of traditional Eastern classics and contemporary artistic expression.

Photo: Tokio Kuniyoshi Photography

SchneiderTM by Nozomi Matsumoto

Schneider TM

Musician, Composer (Berlin)

Schneider TM is a multidimensional music project of Dirk Dresselhaus, named after his nickname Schneider. Since the late 80’s, Dirk has been active in different musical fields. From 1989 until 1997 he played and sang in adventurous rock and pop bands like Hip Young Things and Locust Fudge (both on Glitterhouse Records) before he became more active in electronic music around 1996. Schneider TM is responsible for a couple of experimental electro-freak-pop albums (on City Slang / Mute) including underground-hits like ‘Reality Check’, ‘Frogtoise’ and a cover version of a song by The Smiths called ‘The Light 3000’, a collaboration with Kptmichigan that was hugely acclaimed by the alternative media like John Peel, The Wire etc..

Schneider TM has been credited as one of the main inventors of a music genre called Indietronic or Indietronica.

Since 1997 Schneider TM performed a couple of hundreds live concerts around the globe including renowned international festivals like CTM (Berlin), Sonar Festival / Sonar Sound (Barcelona, Rome, Tokyo), Mutek (Montreal, Mexico City), Arty Farty (Lyon), Pukkelpop (Hasselt), Hultsfred Festival (Hultsfred), Kilbi Festival (Bad Bonn), Frieze Art Fair / Frieze Music (London), Phonem Festival (Istanbul), Numero Festival (Lisboa), Les Siestes électroniques festival (Toulouse), Melt Festival (Gräfenhainichen), Midi Festival (Hyéres), Motomix Festival (Sao Paolo), Todaysart Festival (Den Haag), Dark Mofo (Hobart) and others.

As well as work on a variety of one-off projects – including the production of film music for movies (66/67, In Der Überzahl, Teilhard, Remainder, Continuity etc. with directors like Omer Fast, Ludwig & Glaser etc.), performance theater (The Scorpionfish, Louis & Bebe w/ Joanna Dudley & Rufus Didwiszus) or radio plays (Release, Hochhaus w/ Paul Plamper) – Dirk has been performing & recording with noise & drone outfits like Angel (w/ Ilpo Väisänen of Pan sonic & guests like Hildur Gudnadottir, Oren Ambarchi, BJ Nilsen or Lucio Capece), released by Editions Mego and Real Time (w/ Reinhold Friedl of zeitkratzer, 3 CD box on Blume) on a regular basis since 1999.
For a while now, Dirk has also been moving Schneider TM in the direction of instantly composed freeform music, employing varying instruments including guitar, electronics, balafon, effect loops as well as field recordings. Sometimes he works solo and at other times together with artists like Jochen Arbeit (of Einstürzende Neubauten, Automat), Damo Suzuki (ex-Can), video artists like Lillevan, pani K and Takehito Koganezawa or Japanese dancer Tomoko Nakasato. The first results of this open & soundscape-y direction was the Schneider TM albums ‘Construction Sounds’. Based on field recordings of Berlin construction sites combined with electronics, it was released in September 2012 on Bureau B & MirrorWorldMusic, an online-platform / label started in 2007 by Dirk Dresselhaus and Michael Beckett (aka Kptmichigan) to present past, present & future of their works.

Photo: Nozomi Matsumoto

Mika Satomi

Mika Satomi

Designer, Artist (Berlin)

Mika Satomi is a designer and an artist exploring the field of e-Textiles, Interaction Design and Physical Computing. For five semesters, she has been a guest professor at the Weissensee Academy of Art Berlin. She has worked as a researcher at the Swedish School of Textiles and at the Distance Lab, Scotland in the field of practice based design research. She holds BA in Graphic dDesign from Tokyo Zokei University, and MA in Media Creation from IAMAS, Japan. Since 2006 Mika has collaborated with Hannah Perner- Wilson, forming the collective KOBAKANT creating artistic projects in the field of eTextiles and Wearable Technology Art. She is a co-author of the e-Textile online database “How To Get What You Want”.

Linlow: Towards Transcendence – Interaktive Kalligraphie & Sound Performance

Inspiriert von „wanderlust“, dem Thema der TYPO Berlin 2017, präsentiert Aoi Yamaguchi in Zusammenarbeit mit dem Berliner Musiker Schneider TM und der eTextile-Künstlerin Mika Satomi eine interaktive, großformatige Konzept-Kalligraphie.

Die einzigartige Kunst der Kalligraphie ist Dekonstruktion und Transformation bestehender Sprachkonventionen mit dem Pinsel. Dabei erfüllt die Kalligraphin das Zeichen mit ihrer Interpretation einer Idee, die jede Performance zu einem Unikat werden lässt. Das Publikum erlebt japanische Kalligraphie und erkundet die Verbindung von Körper und Geist, während Yamaguchi mit ihrem Pinsel Strich für Strich ihr Konzept physisch sichtbar macht.

Die Bewegungen der Künstlerin werden in dieser Performance von Sensoren erfasst und in ein Signal übertragen, das die Instrumente steuert. Jede Pinselbewegung wird durch die Sensoren verstärkt, die Schneider TMs Komposition erhöhen und sie wirkmächtig modulieren. In ihrem Pulsieren werden die Zuhörer ein Teil des Stücks selbst.

FYI:

** 琳瑯 (Linlow) ist ein altjapanischer Begriff für:

1. schöne Edelsteine, schöne Gedichte, Poesie;

2. den schönen Klang, der entsteht, wenn sich schöne Edelsteine berühren.

琳瑯 ist ein Zitat eines meiner Lieblingsautoren: Soseki Natsume schreibt in seinem Buch Kusamakura:「芸術家は無数の琳琅を見、無上の宝璐 (ほうろ) を知る」„Der Künstler sieht zahllose schöne Gedichte (Literatur, Komposition) und kennt den größten Schatz.“

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