TYPO Labs 2017

TYPO Labs: Variable Fonts Update/Brainstorming Variable Fonts

This presentation of the Microsoft employees was two-fold: Peter Constable gave insight on the development of the font variations specification, how its implementation is progressing and shared how the spec might evolve in the future. Rob McKaughn shared some experimental ideas on how variable fonts might act responsively in every sense of the word: as way to assist readability, perhaps also to those with reading disorders.

By Tilmann Hielscher

© Norman Posselt · www.normanposselt.com (Monotype)

TYPO Labs: Designspaces

Erik van Blokland – The Design Space notion is something you hear a lot if you study in typemedia or work into the UFO environment. Now, thanks to variable fonts, it is everywhere. Given that many tools other than Superpolator are using this concept, it is now necessary to exchange design space information across different applications.

By Roberto Arista

© Norman Posselt · www.normanposselt.com (Monotype)

TYPO Labs: Variable Fonts

»Oh crap. That’s my new job.«

Dan Rhatigan, giving the opening lecture of TypoLabs 17, addressed the hot topic that all of the 280 attendees interested the most straight away: Variable fonts!

by Verena Gerlach

© Gerhard Kassner / Monotype

Tobias Frere-Jones: The Mechanics of Reading

Tobias Frere-Jones has spent the last 25 years crafting letterforms, setting type and agonising over the smallest of details. He’s designed some of the most widely used typefaces of our time, including Interstate, Poynter Oldstyle, Whitney, Gotham, Surveyor, Tungsten, Retina and more recently, Mallory. With the ever-changing nature of web, he talked through renewed strategies to improve legibility for digital experiences.

© Norman Posselt / Monotype

TYPO Labs: The DTL Story – 40 Years and Counting (Update)

Ikarus is the name of a digital outline format invented in the early 70s by Peter Karow. It was one of the earliest developments to describe complex character outlines digitally. A number of foundries started digitizing their type libraries using the Ikarus technology. Doing so required a software package for producing Ikarus fonts. Those software tools are still at the core of what today are known as DTL/URW++ font tools.

© Norman Posselt / Monotype

TYPO Labs: DTL / URW++ session

During the DTL/URW++ session at the TYPO Labs conference on Wednesday 11 May 2016, Lukas Schneider gave an interesting talk on the LS Cadencer and the related LS Cadenculator (batch) fitting/auto-spacing extensions he has written in Python for Glyphs and RoboFont.

by Frank E. Blokland

Page 3 of 712345...Last »